François Ozon follows his hazily arousing acting about eccentric first love, Summer of 85, with a turn back to a calm sensational area in Everything Went Fine, which serves as a token of appreciation toward the late author Emmanuèle Bernheim, his content associate on Under the Sand, Swimming Pool and 5×2. Taking a refreshingly honest, straightforward disposition to its full issues, the film stars Sophie Marceau in a compellingly grounded execution as Bernheim, requested to take on a job of enormous good and passionate load by a man with whom she has consistently had a fairly prickly relationship but then discovers difficult to deny.
The other entertainer who raises the personal dramatization is veteran André Dussollier as Emmanuèle’s dad André Bernheim, a refined craftsmanship authority whose essentialness keeps on looking through his trouble even after the stroke that leaves him semi-deadened. He settles on the unyielding choice to take his life instead of go on in a seriously reduced condition. Having proudly gone into the common shows of marriage and family while proceeding to live transparently as a gay man, André is an inquisitive person, egotistical from multiple points of view yet additionally solid. Dussollier plays that twofold edge with a devilish flicker in his eye that eradicates sentimentality.Ozon can be an invigoratingly perky movie producer however the temperance maybe less appreciated about the productive chief’s work is its proficiency. His transformation of Bernheim’s book is prominent for the laser focal point of its short, pared-down scenes, making this a social issues film more keen on inconspicuously noticed individual reactions and relational intricacies than the greater moral inquiries raised. Thinking about the topic, Everything Went Fine isn’t the most influencing show, yet its genuineness and knowledge keep you stuck.
Emmanuèle gets a call that her kid father has become sick and hurries to the medical clinic, meeting her sister Pascale (Géraldine Pailhas) there similarly as André is being given a MRI to survey cerebrum harm. The intrusive commotion of the machine appears to be a test to the sisters’ endeavor to resist the urge to panic. At the point when they at last will see him, their dad is weak, weepy and attempting to talk. In any case, Emmanuèle demands that she’s not worried: “He generally recovers.”The sisters return following encounter with their mom Claude (Charlotte Rampling, who did a portion of her best work of late a very long time in Under the Sand and Swimming Pool). She experiences ongoing wretchedness and Parkinson’s sickness, however her shortfall of warmth for her better half would seem, by all accounts, to be established somewhere else. “Your dad doesn’t look so terrible,” she tells Emmanuèle and Pascale, more pompously than reassuringly, prior to training her attendant to get her out of there. Claude is a sculptress of some prestige, who worked in concrete. Later in the film, when André is inquired as to whether he ought to counsel her on his choice, he sniffs: “With her heart of concrete, your mom’s now dead.”
André is in and out of concentrated consideration in the days that follow, however notwithstanding a few indications of progress, he tells Emmanuèle, “I need you to help me end it.” The specialist guarantees her that a desire to die is normal in such cases, and that the patients quite often pick life, yet giving up the will to live will hurry his decay. Flashbacks to youth show André to have been an irresolute parent to Emmanuèle, and Pascale proposes that since she regularly wished him dead, perhaps their dad has given her a blessing. Simply the way that he picked one sister over the other to make such an interest appears to be characteristic of a past filled with setting them in opposition to each other.
Included strain the family connections comes from the unwanted appearance of a man named Gerard (Grégory Gadebois), or “shithead,” as he’s alluded to by the sisters. Ozon coaxes out his association with André, which is uncovered without judgment, however it gives additional proof that he has taken care of his own requirements over those of his significant other and little girls.